Orel Family

Through the magic of bootlegging, I finally got a chance to watch the documentary "The Promise: The Making of Darkness on the Edge of Town" a couple nights ago. Then I watched it again Tuesday night, a little more carefully. It will be included, of course, as part of the Darkness On The Edge of Town box set next month. In some respects, this film is brilliant and indispensable. It presents a clear narrative -- albeit more than a bit repetitively -- that ultimately tells us, clearly, why Bruce went in the direction he did with Darkness, why it was important for him to make the album in that way, and what it ultimately meant both for that record and for his career since that record. Darkness is presented as the pivot for the past 30 years, and though that would hardly be news to long time fans, the clarity of its place here is still striking. For the most part, the film is presented as a reasonably straight-forward timeline. The first 20 minutes deal with Bruce's l...

September 19, 2008: Thirty years ago today, my life changed a little. No, I wasn't there. I was up in my bedroom 20 miles away from Passaic's Capitol Theater, 7 months from having a driver's license, alone with my combo radio/tape recorder, listening quietly for the first time to Bruce Springsteen and the E Street Band play live. I had gotten in to Bruce the summer before... well, the summer before the summer before. But here was the lawsuit, and the endless wait for the album. Now, finally, there were concerts, and WNEW had announced this one. ON THE RADIO. WNEW was kinda like Bruce radio at that time, a seeming bastion of sanity in the disco wasteland. They'd had a midnight playing of Darkness the night before it was released... which of course I taped off the radio. But now, 'round 'bout Labor Day, they said, "special announcement at 9pm!," and so I tuned in. Special announcement -- Bruce, in concert, on the radio! September 19, and...