Streets of Minneapolis
I turned on the TV. For the next several hours, more numb than I could have foreseen, I watched as the news came in, More videos. Totally predictable preposterous statements from DHS head Greg Bovino and later DHS head Kristy Noem defending the actions of their agents, and labeling the victim as a "domestic terrorist," as if I hadn't seen what I had been watching. A written statement from Stephen Miller labeling the victim as an "assassin." Then, the identification of the victim - a 37-year old ICU nurse at the VA Hospital in Minneapolis. That part struck a nerve; my oldest child is an RN at a large hospital. I watched, and I watched, and I watched, I don't even know why. Despite everything going on in this country recently, even including the killing of Renee Good barely two weeks prior, I wasn't really prepared for a straight-forward execution on my screens. How can this be happening?
I made the mistake of reading X, the Elon Musk platform formerly known as Twitter, that has become a cesspool of far-right real people and farther right bots. There I learned the shoot was good, and well, all sorts of fascist things.
Cut forward 4 days: It turns out that public executions are not popular with the American people, at least outside of X. Bovino has been sacked; others may follow. But the dust hasn't settled really, nowhere close.
In the meantime, we have started to see public statements of revulsion from many places. Today, Bruce Springsteen released a new song called "Streets of Minneapolis." He presented the song on his social media pages with the following written introduction:
I wrote this song on Saturday, recorded it yesterday and released it to you today in response to the state terror being visited on the city of Minneapolis. It’s dedicated to the people of Minneapolis, our innocent immigrant neighbors and in memory of Alex Pretti and Renee Good.
Stay free, Bruce Springsteen
The song is long, at least by pop standards. The sound is more or less boiler plate Springsteen -- familiar, but not quite enough to name all of the specific songs echoing here (the one that comes to my mind, oddly, is an obscure track from "The Ghost of Tom Joad" album called "Sinaloa Cowboys," and also the single "Dead Man Walkin'"). There are words, lots of them. The words are direct and blunt. It's a style that reminds me more of any number of Woody Guthrie songs - (e.g., the Sacco and Vanzetti suite, the songs that Guthrie wrote after seeing the movie "Grapes of Wrath," and Deportees) - than of Bruce's own previous efforts.
At just 4 days since the shooting, my feelings were too raw to hear it on the first listen, really. I didn't want Bruce to be Woody Guthrie (or Pete Seeger, for that matter), nor really to insert himself in to the unfolding story. That said, it's a compelling effort, and more importantly, it puts a marker down for those who hear it.
Guthrie's song "Two Good Men" concluded with the following chorus: "Two good men a long time gone, left me here to sing this song." There's an aspect of that here, but here Bruce sings, "We’ll remember the names of those who died on the streets of Minneapolis"
Here are the full lyrics:
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